Summer 2004, Vol 30 No 2. A rather scholarly article concerning critical issues facing “the tapestry field” in three major areas: higher education, exhibitions, and the art world.

Listed in the bliography for this Widewalls article. Web link is a book review of several books on the subject with lots of links

This book is a documentation of the history of fiber art which became popular in the 1960’s. Where once the focus was on knotting, twining, and coiling thread into works that were immediately recognizable, and therefore connected to utilitarian crafts, fiber authors of the later 20th-century began to experiment with abstract forms that were closer to sculpture than craft.

Lescarbot